Monday, November 7, 2011
Donny Osmond and Family in Pageant
Friday, November 4, 2011
The Music of Cumorah
Click here to read: "The Delights of Making Cumorah's Music" by Dr. Crawford Gates
This is a marvelous article written by Brother Crawford Gates, who composed the beautiful musical score which so wonderfully sets the mood for the Hill Cumorah Pageant.
For anyone who has ever been involved in pageant, seen the pageant, or even heard of the pageant, reading this inspirational story can only add to the awe and power that you feel when hearing the music.
I love the change in atmosphere in my home, the change of attitude in my children, and the feeling of happy reverence in my heart that comes with listening to this beautiful music.
Thank you Brother Gates, for all that you have done for the Hill Cumorah Pageant, most of which we will probably never be able to begin to understand.
Wednesday, November 2, 2011
Missionary Inspiration
Tuesday, October 18, 2011
December 1977 Ensign Article
A great article sharing some of the history of the Hill Cumorah Pageant
Palmyra: A Look at 40 Years of Pageant
The new director will continue to serve as chairman of the Communication Arts Department at Elizabethtown College in Pennsylvania. He holds a bachelor’s degree in Speech and Dramatic Arts from BYU, and in 1976 directed the “This Land of Liberty” pageant for the Potomac and Capitol regions of the Church in Washington, D.C.
With one stage, a hundred actors, and two readers, the Hill Cumorah Pageant in 1937, then only one year old, seemed like a large enough undertaking. Harold I. Hansen was a missionary at the time, “drafted” into directing the production because no one else had his experience in theatre. Now, forty years later, as he retires from his position as pageant director, the show is almost unrecognizable: an incredible twenty-five stages with six hundred actors; a five-track stereo sound system with original music by Crawford Gates; and perhaps the world’s finest outdoor lighting system.
Hundreds of thousands of visitors have seen the pageant during Hansen’s forty years as director. In a recent interview he reminisced about the early years. When he entered the mission field in July 1937 he was told that all the missionaries in his mission were going to take part in a pageant at the Hill Cumorah. They would invite people to come during the proselyting day, and spend their nights in rehearsal.
“When I arrived,” explained Brother Hansen, “they had a script, but no one had addressed themselves to the problems of production.” How would they light the stage? Where would the actors be? How would the audiences hear what was being said?
“The mission president tried to get me interested in the script,” Hansen continued, “because of my background in theatre. But I didn’t know anything about pageantry. Besides, I came on my mission to tract and to do the other things that missionaries do!”
But he was persuaded to direct one short scene. It took him only fifteen minutes to stage it and when the elders in charge of the pageant saw it, they handed him the script and told him thathe was directing the pageant. And he has continued for forty years, as a Church calling, until his recent release.
Brother Hansen notes that the biggest change in the production over the years has been in the attitude of the nonmembers in the area. In 1937 there was some open prejudice against the missionaries and the pageant. Now the attitude toward the Church and the pageant is very positive. Just before the 1977 opening the local Rotary Club gave Brother Hansen an award for outstanding service to the region. President Ezra Taft Benson of the Council of the Twelve accepted the club’s invitation to address them and present the award to Brother Hansen.
Local residents have been kind to the pageant participants, too. Once in the early years of production there was an overabundance of rain—but people still flocked to see the show. The parking lots became mires, and Hansen recalls, “I could actually see the cars sinking into the mud. All I could think about was the terrible mess we would have when it came time for the audience to go home.”
But ten minutes before the end of the pageant, Brother Hansen began to hear the sputter of engines—local farmers were chugging into the parking lots with tractors. They pulled every car out and put them on the highway without accepting a cent in payment. “Kindnesses like that can never be forgotten or repaid,” says Brother Hansen.
Another year, a drought had dried up all the wells and springs that the pageant used to supply water for the water curtain effects. Farmers in the area were even hauling water for their cattle. Yet just before the pageant opened, without any advance notice, the farmers appeared with wagonloads of water and filled the pageant holding tanks. The who went on—with the water curtains.
Harold I. Hansen, a faculty member and former drama department chairman at BYU, looks forward to returning to the pageant as an audience member in coming years to enjoy its growth. For he does believe that the pageant must continue to change. “I can’t imagine anything worse,” he says emphatically, “than if I came back and it looked the same as when I left.”
Though Hansen has accomplished many other things in his long professional life, the Hill Cumorah Pageant has been a major influence on his life and the life of his family. “It has dominated our whole home for all these years. If I hadn’t believed in it, I would never have done it. But I did believe in it, and I kept at it until the Brethren said, ‘You are released.’”
Now there are several pageants in many different places in the Church—but all owe a great debt to Harold Hansen’s exemplary production at the Hill Cumorah.
Friday, October 7, 2011
Boy Scout remembers visit to the 1937 Hill Cumorah Pageant en route to BSA National Jamboree
Friday, September 16, 2011
"Nightline" News Visits the Pageant!
Then because Mitt Romney was running for president, the ABC News Nightline producer called and asked if they could do a story on the pageant. Jeff spent most of the day trying to get everything worked out. His biggest challenge was finding the right person in the missionary department at church headquarters who would sign off for the church giving permission for the news crew to do the story. Brother Hawkins of the missionary department sent us a contract for ABC to sign binding them to follow church standards, etc. while on church property. Finally we were able to get to the right level of management in church headquarters to also sign the contract.
That night when the camera crew and reporter came to the pageant we had a very small crowd (less than 2000 people) in attendance because we had had a light rain during the afternoon and all evening. But this actually worked in our favor because the people from Nightline were amazed that the audience came and remained through the whole show.
John Starrs who played King Noah, Debb Steele who was costume mistress, and Sarah Stankiewicz (YSA from Pennsylvania) were interviewed extensively. As part of the agreement, we allowed the Nightline crew to film the entire show. We had never done that before. So there were a number of things that we were a bit nervous about, but we felt the opportunity this provided far out weighed our concerns.
The camera crew came to film the closing post show devotional. We had normally given cast members the opportunity in this devotional to tell of their proselyting experiences. Because the camera crew was present we decided not to do that, but instead invited Sister Kathleen Cook, wife of the area Seventy responsible for the pageant to come and bear her testimony. Before the devotional was over the reporter and camera crew packed up and left the study shelter. They were maybe 30 feet down the walkway when we asked the cast and staff to stand and sing The Song of Cumorah. The noise of all the chairs being moved as everyone stood up caused the camera crew to return to the study shelter. What they filmed actually became the end of the Nightline story.
Then the waiting began. I became worried because NBC news did another story by the same reporter on the Manti pageant. His emphasis there was on the protestors of that pageant. I worried what our story would be because in essence we had given him the keys to the house and gave him free access to everything. The story could have been devastating. In the end both the pageant and the church were shown in a very positive light.
Schwendiman Family 1977
On the night we planned to go to pageant we experienced a horrendous downpour. I got soaked just getting the children into the car. I said to Marlene that with this rain we weren't going to go. She had much greater faith than I did and said that we were going because the rain would stop and the pageant would go on. The pageant was never rained out. So we went.
I kept saying under my breath that this was ridiculous and we should go home. And Marlene kept saying to keep driving because the rain would stop and the show would go on.
The rain was so bad that when we hit one puddle on the expressway the water spray was sufficient to kill the motor. We were able to coast to stop under the only overpass on that stretch of road. Now I was convinced we should quit and go home if we ever got the motor started again. But once started we continued on driving on Marlene's faith and inspite of my "better" judgement.
Surprisingly to me, the closer we got to Palmyra the lighter the rain was. When we got to the Hill Cumorah it was still raining a bit but definitely not enough to stop the show.
In 1977 highway 21 went straight past the hill through what is now the visitor center parking lot. The bowl we enjoy today had not yet been built. So we pulled into the parking lot across highway 21 from the hill and parked the car along the fence. We decided we would watch the pageant from the car in the parking lot rather than getting out in the rain and getting wet.
And the show went on proving Marlene's faith and causing me to admit I was wrong.
The pageant in 1977 included the story of Ammon saving the flocks of King Lamoni and then converting the King. The actor portraying Ammon would stand at the bottom of the hill and the robbers would come running straight down the hill to fight Ammon. Just before this scene the decision was made that the hillside was too slippery and they didn't want any of the missionaries playing the robbers to break an ankle or a leg while running down that very wet hill. So just before the Ammon scene which was about halfway through the show the ended the show. So in the end I was justified in my lack of faith. But I did mostly have to admit that Marlene was right. The show did go on.
Submitted by Dwight Schwendiman
Rochester, NY
Saturday, September 3, 2011
Share Your Pageant Story!
As we continue to prepare for the 75th production of the Hill Cumorah Pageant, we would like to invite you to share your pageant story! Many of us have had experiences that have uplifted us and built our testimonies. As we share them we can continue the missionary work that we started at the hill.
To do this, we ask you to e-mail your stories and accompanying pictures to:
hcp75th@gmail.com
After we have received your submission we will do any necessary edits, email them back to you for an OK and will post.
Thank you for Sharing!
Friday, July 15, 2011
Welcome to the Celebration!
The goal for this blog is to share stories of Pageant experiences, and to invite others to come and enjoy the 75th Anniversary Celebration. We hope to gather and share pictures and memories from those who have participated in or attended the pageant in previous years.